PUBLIC IN PRIVATE/CLÈMENT LAYES ONON/ONONON
foto Gerhard Ludwig
torsdag/thursday 28.05. 10.00 and 12.00 ONONON figurteatret
fredag/friday 29.05 20.30 ONON teater nor stor
lørdag/saturday 30.05. 11.00 ONONON figurteatret
FIGURTEATRET/TEATER NOR STOR
ONONON
Engelsk
The French choreographer Clément Layes has created a performance for children, closely related to the performance for adults (ONON) also visiting the festival this year.
A huge wooden box!
Around, inside and on top of it a rhythmic and sonorous story unfolds. There you discover a hand, here you see a head. Has it disappeared again? What is hidden in the box? And what exactly unfolds out of it? Movements and noises repeat themselves, build on each other and disappear again. And yet before you notice it, the rhythm has taken us into another loop.
Layes is developing the first pop-up in explore dance - Network Dance for Young Audiences. The pop-up sees itself as a mobile piece that can suddenly appear both in classrooms and in public spaces. With ONONON, the choreographer concludes a series of performances in which he explores appearance and disappearance and the resulting rhythm. Clément invited children from Freie Schule Potsdam to enter into an artistic dialogue with him and his team and to exchange thoughts and ideas.
Norsk
Den franske koreografen Clément Layes har skapt en forestilling for barn, som er i slekt med voksen-forestillingen ONON som også gjester festivalen
En stor treboks!
Inni, over og rundt utspiller det seg en rytmisk og klangfull historie. Der oppdaget du en hånd, og her ett hode! Forsvant det igjen? Hva er det som gjemmer seg i boksen? Og hva er det egentlig som folder seg ut fra den? Bevegelser og lyder gjentar seg, bygges oppå hverandre og forsvinner igjen og like før du oppdager det har rytmen tatt oss med til noe nytt.
Clement Lays har utviklet den første pop-up forestillingen i utforskende dans - Network Dance for Young Audiences. Pop-upen er et mobilt stykke som plutselig kan dukke opp i både klasserom og offentlige rom. Med ONONON har koreografen avsluttet en serie forestillinger der han utforsker oppstandelse og forsvinning - og rytmen det gir. Clement har samarbeidet med barn fra Freie Schule Potsdam til å utveksle tanker og ideer om hvordan forestillingen skal utvikle seg. .
by Clément Layes
with Cécile Bally, Nir Vidan A production by Public in Private/Clément Layes, in co-production with explore dance – Network dance for young audience, a co-operative project of fabrik moves Potsdam, Fokus Tanz / Tanz und Schule e.V. München and K3 | Tanzplan Hamburg. Funded by TANZPAKT Stadt-Land-Bund with the support of the German Federal Government Commissioner for Culture and the Media, the Ministry of Culture and Media of the Free and Hanseatic City of Hamburg, the Municipal Department of Arts and Culture Munich and the BLZT, financed by the Bavarian Ministry for Arts and Education, as well as the city of Potsdam and the ministry for science, research and culture of the federal state of Brandenburg.
ONON
Engelsk
Clément Layes is a French choreographer who has been challenging the traditional codes of contemporary dance for many years.
A choreographic labyrinth: ONON looks at the things and digital systems that organize our everyday lives.
Like the systems that surround us, the people who operate them are always in action. ON ON instead of OFF, in a choreography, human and non-human elements combine to form a multi-rhythmic machine. Mobile walls form a labyrinth. Following their own rhythm, the elements move across the stage as if drawn by magic. The performers follow the mechanical choreography of this inorganic body - but not without testing their limits and possibilities of resistance. Can the system be subverted from within?
Norsk
Clément Layes er en fransk koreograf som har utfordret de forskjellige kodene i moderne dans gjennom mange år.
En koreografisk labyrint: ONON setter fokus på ting og digitale systemer som organiserer vår hverdag.
På samme måte som systemene som omgir oss er menneskene som opererer dem alltid i bevegelse. ON ON istedenfor OFF, i en koreografi der menneskelige og ikke menneskelige elementer er satt sammen til en multi-rytmisk maskin. Mobile vegger former en labyrint. Ved å følge sin egen rytme beveger elementene seg over scenen som ved magi. Skuespillerene følger den mekaniske koreografien av denne uorganiske kroppen - men ikke uten å teste sine begrensninger og muligheter for å yte motstand. Kan systemet bli underminert fra innsiden?
The company PUBLIC IN PRIVATE, founded by Clément Layes and Jasna Vinovrski in Berlin in 2008, investigates, reflects and questions social, political and cultural structures in its artistic works with the aim of expanding the boundaries and understanding of dance as an art form in a collaborative approach and reflecting on its media conditions.
ARTE short documentary about ONON:
https://www.arte.tv/de/videos/094358-000-A/im-takt-der-maschinen-der-choreograf-clement-layes/ CLÉMENT LAYES lives and have been working as a choreographer and performer in Berlin since 2008. At the interface of choreography, visual arts and philosophy, his works emerge from observations of the everyday life. His performances are shown internationally. Recently: Allege (2010), Der grüne Stuhl (2012), Things that surround us (2012), Dreamed Apparatus (2014), Title (2015) and The Eternal Return (2017).
CHOREOGRAPHY Clément Layes PERFORMANCE Asaf Aharonson, Cécile Bally, Nir Vidan, Mariana Vieira STAGE Jonas Maria Droste, Clément Layes LIGHT Ruth Waldeyer SOUND Steve Heather COSTUMES Malena Modéer VIDEO Christopher Hewitt DRAMATURGY Jonas Rutgeerts ARTISTIC ASSISTANCE Jasna L. Vinovrski INTERNATIONAL COMMUNICATION Inge Koks PR, PRODUCTION björn & björn
A production by Public in Private/Clément Layes in coproduction with Platform 0090, C-Takt, funded by the Senate Department for Culture and Europe, the Cultural Department of the Flemish Community, and the NATIONALE PERFORMANCE NETZ co-production funding dance – supported by the Federal Government Commissioner for Culture and the Media. With kind support by SOPHIENSÆLE (Berlin), Kunstencentrum BUDA (Kortrijk), STUK (Leuven), wpZimmer (Antwerp) and Flutgraben (Berlin).
foto Gerhard Ludwig
torsdag/thursday 28.05. 10.00 and 12.00 ONONON figurteatret
fredag/friday 29.05 20.30 ONON teater nor stor
lørdag/saturday 30.05. 11.00 ONONON figurteatret
FIGURTEATRET/TEATER NOR STOR
ONONON
Engelsk
The French choreographer Clément Layes has created a performance for children, closely related to the performance for adults (ONON) also visiting the festival this year.
A huge wooden box!
Around, inside and on top of it a rhythmic and sonorous story unfolds. There you discover a hand, here you see a head. Has it disappeared again? What is hidden in the box? And what exactly unfolds out of it? Movements and noises repeat themselves, build on each other and disappear again. And yet before you notice it, the rhythm has taken us into another loop.
Layes is developing the first pop-up in explore dance - Network Dance for Young Audiences. The pop-up sees itself as a mobile piece that can suddenly appear both in classrooms and in public spaces. With ONONON, the choreographer concludes a series of performances in which he explores appearance and disappearance and the resulting rhythm. Clément invited children from Freie Schule Potsdam to enter into an artistic dialogue with him and his team and to exchange thoughts and ideas.
Norsk
Den franske koreografen Clément Layes har skapt en forestilling for barn, som er i slekt med voksen-forestillingen ONON som også gjester festivalen
En stor treboks!
Inni, over og rundt utspiller det seg en rytmisk og klangfull historie. Der oppdaget du en hånd, og her ett hode! Forsvant det igjen? Hva er det som gjemmer seg i boksen? Og hva er det egentlig som folder seg ut fra den? Bevegelser og lyder gjentar seg, bygges oppå hverandre og forsvinner igjen og like før du oppdager det har rytmen tatt oss med til noe nytt.
Clement Lays har utviklet den første pop-up forestillingen i utforskende dans - Network Dance for Young Audiences. Pop-upen er et mobilt stykke som plutselig kan dukke opp i både klasserom og offentlige rom. Med ONONON har koreografen avsluttet en serie forestillinger der han utforsker oppstandelse og forsvinning - og rytmen det gir. Clement har samarbeidet med barn fra Freie Schule Potsdam til å utveksle tanker og ideer om hvordan forestillingen skal utvikle seg. .
by Clément Layes
with Cécile Bally, Nir Vidan A production by Public in Private/Clément Layes, in co-production with explore dance – Network dance for young audience, a co-operative project of fabrik moves Potsdam, Fokus Tanz / Tanz und Schule e.V. München and K3 | Tanzplan Hamburg. Funded by TANZPAKT Stadt-Land-Bund with the support of the German Federal Government Commissioner for Culture and the Media, the Ministry of Culture and Media of the Free and Hanseatic City of Hamburg, the Municipal Department of Arts and Culture Munich and the BLZT, financed by the Bavarian Ministry for Arts and Education, as well as the city of Potsdam and the ministry for science, research and culture of the federal state of Brandenburg.
ONON
Engelsk
Clément Layes is a French choreographer who has been challenging the traditional codes of contemporary dance for many years.
A choreographic labyrinth: ONON looks at the things and digital systems that organize our everyday lives.
Like the systems that surround us, the people who operate them are always in action. ON ON instead of OFF, in a choreography, human and non-human elements combine to form a multi-rhythmic machine. Mobile walls form a labyrinth. Following their own rhythm, the elements move across the stage as if drawn by magic. The performers follow the mechanical choreography of this inorganic body - but not without testing their limits and possibilities of resistance. Can the system be subverted from within?
Norsk
Clément Layes er en fransk koreograf som har utfordret de forskjellige kodene i moderne dans gjennom mange år.
En koreografisk labyrint: ONON setter fokus på ting og digitale systemer som organiserer vår hverdag.
På samme måte som systemene som omgir oss er menneskene som opererer dem alltid i bevegelse. ON ON istedenfor OFF, i en koreografi der menneskelige og ikke menneskelige elementer er satt sammen til en multi-rytmisk maskin. Mobile vegger former en labyrint. Ved å følge sin egen rytme beveger elementene seg over scenen som ved magi. Skuespillerene følger den mekaniske koreografien av denne uorganiske kroppen - men ikke uten å teste sine begrensninger og muligheter for å yte motstand. Kan systemet bli underminert fra innsiden?
The company PUBLIC IN PRIVATE, founded by Clément Layes and Jasna Vinovrski in Berlin in 2008, investigates, reflects and questions social, political and cultural structures in its artistic works with the aim of expanding the boundaries and understanding of dance as an art form in a collaborative approach and reflecting on its media conditions.
ARTE short documentary about ONON:
https://www.arte.tv/de/videos/094358-000-A/im-takt-der-maschinen-der-choreograf-clement-layes/ CLÉMENT LAYES lives and have been working as a choreographer and performer in Berlin since 2008. At the interface of choreography, visual arts and philosophy, his works emerge from observations of the everyday life. His performances are shown internationally. Recently: Allege (2010), Der grüne Stuhl (2012), Things that surround us (2012), Dreamed Apparatus (2014), Title (2015) and The Eternal Return (2017).
CHOREOGRAPHY Clément Layes PERFORMANCE Asaf Aharonson, Cécile Bally, Nir Vidan, Mariana Vieira STAGE Jonas Maria Droste, Clément Layes LIGHT Ruth Waldeyer SOUND Steve Heather COSTUMES Malena Modéer VIDEO Christopher Hewitt DRAMATURGY Jonas Rutgeerts ARTISTIC ASSISTANCE Jasna L. Vinovrski INTERNATIONAL COMMUNICATION Inge Koks PR, PRODUCTION björn & björn
A production by Public in Private/Clément Layes in coproduction with Platform 0090, C-Takt, funded by the Senate Department for Culture and Europe, the Cultural Department of the Flemish Community, and the NATIONALE PERFORMANCE NETZ co-production funding dance – supported by the Federal Government Commissioner for Culture and the Media. With kind support by SOPHIENSÆLE (Berlin), Kunstencentrum BUDA (Kortrijk), STUK (Leuven), wpZimmer (Antwerp) and Flutgraben (Berlin).